ANUNNAKI CONNECTION
Egypt
Winged Flying Craft or Angels?
Egyptian Winged Goddess
Graeco-Roman Fresco
Kom el-Shugafa, Alexandria
This Graeco-Roman fresco is among the many treasures found among the catacombs of Kom el-Shugafa, the 'hill of potsherds', located south-west of Alexandria in Egypt.  Dating to the 1st and 2nd centuries AD, the Kom el-Shugafa relics are a curious blend of Egyptian, Roman and Greek influences.  Here we see a classic ancient Egyptian mummy protected by deities, and lying below an unusual winged disc.  It appears to be riding upon a celestial barge which is red in colour.

If Nibiru made an appearance in the skies around the time of Christ, then this image is precisely the kind of thing we would expect to see daubed upon the catacomb walls of Graeco-Roman Egypt. 

by Andy Lloyd

Source

The Rosicrucian Connection
Winged Disc
Even in modern times it is still possible to find the Winged Disc. The Ancient and Mystical Order Rosae Crucis  The Order dates its tradition history back to Pharoah Akhenaten and Nefertiri.We have other areas about the order with more information in our "Cosmic Wisdom of the Ancients" section...

Ancient and Mystical Order Rosae Crucis

Rameses III
Luxor, Egypt
Above a doorway in Rameses III's temple, the sun god uses wings to protect us.
In Jewelry

 

 
Evolution of the Winged Disc
  1. The typical Egyptian symbol from the lintel of a Theban temple of fifteenth century B.C.
  2. A Persian variant.
  3. An even more conventionalized Babylonian form.
  4. Central American (Maya) lintels.
  5. Central American (Maya) lintels
  6. Christian Versions
In the upper one (from Ococingo) the reversal of the two wings has necessitated a reinterpretation of the conventionalized head ( C ) and tail ( T ) of the Cobra in the original Egyptian design. (The latter is taken form Dr.A.P. Maudslay’s representation of what he calls the serpent-bird from the wooden lintel of a temple at Tikal).

From comparative studies of Maya art, Dr. Maudslay arrived at the conclusion that the geometrical design above, and including the tail ( T ), represents a serpent’s head upside down – without the jaw.

By comparison with Indonesian designs, the writer arrived at the same conclusion. The loss of the jaw in the conventionalization of the serpent occurred in India and was emphasized in Java (Fig.49), and in that form adopted in America.

From Human History by G. Elliot Smith

~ MENU ~
Copyright Notice

All pictures and photos on this page, unless otherwise noted, have been gathered from pubic domain sources or are available under GNU License. Further documentation is available on our Copyright Page and our Legal Department.

Article Quotes all have links to their appropriate source and are noted. All other text not so noted is available under the terms of the GNU Free Documentation License

All information on this page is used only for non profit educational purposes. All reasonable attempts have been made that no credits are missed, but with a work of this size omissions may occur. If you see anything of yours that has not been properly credited or wish to have removed please contact the Webmaster


 
Menu

Webpages  © 2001-2006 
Blue Knight Productions